Articles


Lola Mooij - Finding Magic in Real Life

Amsterdam, 2024-01-23 - Judith Boeschoten and Nina da Costa

It’s a cold winter day when we arrive at Lola Mooij’s front door. She invites us in, pours us hot tea, and lights a few candles to make her already warm apartment extra cozy for us. She was reading The Secret Garden, a children's book written in 1911, about finding magic in the mundane. For the next two hours, Lola describes how she brings her own projects to life, inspiring her crew to pour in that extra touch of magic, whatever genre they’re working in.


2024 ROBBY MÜLLER AWARD goes to GRIMM VANDEKERCKHOVE

Amsterdam, 2023-12-12 - NSC / IFFR

The recipient of our fifth annual Robby Müller Award is Belgian cinematographer Grimm Vandekerckhove, renowned for his delicate, humanist work with filmmaker Bas Devos, amongst others.


Goert Giltay - Zen and the Art of Tightrope Walking

Amsterdam, 2023-11-29 - Gerlinda Heywegen

Goert Giltay, recently retired director of photography with a huge track record, likes to leave things up to others when his style is concerned. Every film was a new search. Sometimes his work had to be zen and a few times he got angry. But friendship was the core of his work, with ‘his’ heroes of cinema, the directors.


EURO CINE EXPO 2023 - MOTORWORLD, MUNICH

Amsterdam, 2023-07-05 - Miga Bär

Last year Munich and the German film industry were introduced to a new event called Euro Cine Expo. On June 30 and July 1 of this year the sophomore edition took place at Motorworld in Munich.


Lennert Hillege - Making Movies at Full Steam!

Amsterdam, 2023-06-08 - Gerlinda Heywegen

Director of Photography Lennert Hillege claims he does not have his own style. He is just as good or bad as the project he works on. He says he is always looking for the right wavelength to attune to in collaborations, whether that is with directors he has worked with for years or whether he works with new ones, such as Steve McQueen with whom he worked recently.


HBO CAS 2023

Amsterdam, 2023-06-21 - Ties Versteegh NSC

On Wednesday, June 14th, the NSC presented the exclusive HBO CAS 2023 showcased by Director of Photography:Suny Behar.


Piotr Kukla - No plans on retiring any time soon!

Den Haag, 2023-01-06 - Gerlinda Heywegen

Piotr Kukla will often use that word in this interview when he is talking about something or someone. A little afraid that he won’t be able to work in the Netherlands anymore because of his age, enthusiastic about his students at the Łódź Film School in Poland. Full of love for the directors he has worked with for years, and where storyboarding is sacred.


P I N A

Amsterdam, 2023-01-13 - Nina da Costa

In the run-up to the ceremony of the 4th edition of the Robby Müller Award, the NSC takes you on a journey along the films of winner cinematographer Hélène Louvart AFC.


Sander Snoep - Never in charge, always a guest

Amsterdam, 2022-09-02 - Gerlinda Heywegen

Sander Snoep has been a well-known player in the Dutch documentary scene for years and would never have expected to still be so passionate about his profession. He is still curious every single time he’s starting a project. How his films get made, in rain or shine, does not matter to him. As long as they come about.


Paul Özgür - In a hurry to make that one masterpiece

Amsterdam, 2022-02-25 - Gerlinda Heywegen

He’s aiming for a large audience. His work has to be seen by as many people as possible. He talks about balance, Dutch DP Paul Özgür. In style and story and also in his own portfolio. And then there are the rules.


Myrthe Mosterman - Finding Synergy

Amsterdam, 2021-11-15 - Gerlinda Heywegen

A Gouden Kalf Award (Dutch film award) for her first feature film; that is what happened to DP Myrthe Mosterman in October 2020. In a Zoom interview, she talks about her style and how she prefers to work. NSC manifest New Deal pops up once again in this interviews series and it seems inevitable to address ‘being a woman’ within this ‘male profession’. But so far, she does not yet have to use a nom de plume.


Jean Counet - A jazz musician’s travels

Amsterdam, 2021-06-01 - Gerlinda Heywegen

There were five films on the shortlist for discussion with DP Jean Counet. Two feature films and three documentaries. Although Counet studied Directing at St Lukas, Brussels, he prefers to be a cameraman. But the conversation via Zoom kicked off with his own work, due to the March 2020 lockdown.


Martijn van Broekhuizen - Gangs of London

Amsterdam, 2021-04-23 - Aart Verschuur

Martijn van Broekhuizen worked on the first season of Gangs of London and is currently shooting the second season. 


Richard van Oosterhout - Insight and Wonder

The Netherlands, 2021-02-10 - Gerlinda Heywegen

Netherlands Society of Cinematographers initiates a series of interviews. NSC chair Richard van Oosterhout starts. He talks about his work, a Dutch New Deal, creativity on set and about breaking with what you know.


2021 ROBBY MÜLLER AWARD goes to Kelly Reichardt

Rotterdam, 2020-12-22 - Bianca van Riemsdijk

Kelly Reichardt will receive the second annual Robby Müller Award. As part of the award, she will also receive a gallery print of one of Robby Müller’s Polaroids.


Sidik and The Panther

Amsterdam, 2020-11-17 - Freek Zonderland

SIDIK AND THE PANTHER is a film about a man called Sidik, wandering around in the mountains of Kurdistan looking for a sign of the Persian leopard. Directed by Reber Dosky and shot by Roy van Egmond. Selected for IDFA 2019 and Camerimage 2020, mominated for an IMAGE award.


Sisters

Amsterdam, 2020-05-05 - Freek Zonderland

ZUSSEN (SISTERS) is a short dance film by director Daphne Lucker and cinematographer Casper van Oort. It has screened and has won prices at festivals all over the world. In November it screened in the student competition at Camerimage and it won the IMAGO Student Award 2020. 


Onderhuids

Amsterdam, 2020-04-27 - Freek Zonderland

ONDERHUIDS (UNDER THE SKIN) from director Emma Branderhorst and cinematographer Michel Rosendaal screened at the Berlinale earlier this year. We spoke with Michel about this poetically shot twenty-minute short film. 


First ROBBY MÜLLER AWARD goes to Diego García

Rotterdam, 2019-10-30 - IFFR / NSC

The Robby Müller Award honours an ‘image maker’ who, in the spirit of the late Robby Müller, has created an authentic, credible and emotionally striking visual language throughout their oeuvre. The first award goes to Diego García and will be presented at the 49th International Film Festival Rotterdam.


The Circle of Film

Amsterdam, 2019-10-02 - Jean van de Velde

"Wil de Nederlandse filmcultuur overleven, dan zal de filmketen een filmketting moeten worden! Dan moet het einde van die keten (de filmexploitatie) aan het begin (de filmproductie) geklonken worden. Dan moeten de baten aan het einde de 'boost' voor een nieuw begin zijn."


Regisseurs naar de achterbank

Amsterdam, 2019-08-24 - Jos van der Burg & Karin Wolfs

“Doreen krijgt heel veel power.” Aldus waarnemend Filmfonds-directeur Ger Bouma tien jaar geleden over de benoeming van Doreen Boonekamp tot directeur. Anders dan haar voorgangers kreeg Boonekamp bij haar aantreden twee petten: ze werd zowel directeur als bestuurder van het Filmfonds.


New Deal NSC

Amsterdam, 2019-04-17 - NSC

Uit een NSC-enquête die in mei 2018 onder de leden is gehouden, was de belangrijkste conclusie dat het de DP’s frustreert dat ze hun werk niet optimaal kunnen uitvoeren. Daarom dit manifest met suggesties om het werkproces te veranderen.


Living the Light, at 75th Venice International Film Festival

Amsterdam, 2018-11-18 - Vincent Visser

Living the Light – Robby Müller, made by Claire Pijman NSC, will have its world premiere at the 75th Venice International Film Festival and is selected for the Venice Classics competition


Time Layers Come Together

Amsterdam, 2018-11-17 - Vincent Visser

'Paolo Ventura, Vanishing Man,’ shows how an Italian artist creates his own timeless melancholic world in a barn on an abandoned mountaintop in Italy. With paint, cardboard, and relics of a human life, he resonates his childhood’s memories and isolation by giving himself and found objects a new magical life.   


Frank van den Eeden about Waldstille

Amsterdam, - Vincent Visser

Dutch cinematographer Frank van den Eeden (May 14, 1971), resident of Antwerp is best known for his work with directors such as Fien Troch, Nanouk Leopold and Jan Verheyen. Besides many nominations he has won several awards for his work as cinematographer.  One of his later productions is ‘Waldstille’ from writer and director Martijn Maria Smits, a feature film that got its world-premiere during the San Sebastian Film Festival in 2016. The NSC talked with Frank about this film.


NSC Investigates Film Making Process in The Netherlands

Amsterdam, 2019-05-01 - NSC

The Netherlands Society of Cinematographers (NSC) conducted a survey among its members as a response to the Netherlands Film Production Incentive 2014-2017 evaluation.


The Cinematographer as Co-Author

Amsterdam, 2019-05-09 - Hans Beerekamp

While cleaning up his archive, film journalist Hans Beerekamp found several editions of the (small-scale published) Dutch film magazine Cineécri.


Emotional Shapes and Textures - Daniël Bouquet

Amsterdam, 2018-07-15 - Vincent Visser

Immediately after his graduation from the Dutch Film Academy in 2006, Daniël Bouquet made a flying start as Director of Photography. For his second feature length production “Nothing Personal” (2008) he won the Golden Calf award for best Cinematography during the Netherlands Film Festival in 2009. Nowadays he works mainly on a variety of international projects, amongst commercials for major brands like Adidas, Gillette and Vogue. The NSC talked with him about his career, interests and more.  


Beerified Scope

Amsterdam, 2018-11-16 - Vincent Visser

Joris Kerbosch (Culemborg, 1980) is best known for his work as cinematographer for directing duo Steffen Haars and Flip van der Kuil, for whom he shot the movies ‘New Kids Turbo’ (2010), ‘New Kids Nitro’ (2011) and ‘BROs BEFORE HOs’ (2013). ‘Ron Goossens, Low-Budget Stuntman,’ is their fourth feature film collaboration. Together those comedies where amongst the highest grossing films in The Netherlands and acclaimed international recognition. NSC spoke with cinematographer Joris Kerbosch about the film.


GHOST TROPIC

Amsterdam, 2024-01-17 - NSC

The winner of the fifth Robby Müller Award is the Belgian DOP GRIMM VANDEKERCKHOVE. He is known for the subtler way in which he captures the inner world of characters, such as that of a cleaning lady on a nighttime journey home in GHOST TROPIC (2019)

Show all articles

Onderhuids


Amsterdam, 2020-04-27 - Freek Zonderland

ONDERHUIDS 1

ONDERHUIDS (UNDER THE SKIN)
Director: Emma Branderhorst
Cinematographer: Michel Rosendaal

The 20 minute short film screened at the Berlinale earlier this year.

Three friends are training for a synchronized swimming competition, executing rhythmic turns in the water in the same unison with which they bully other girls in the changing room. Yet beneath the surface, turmoil is brewing. Gestures and glances exchanged in atmospheric scenes gradually condense into a narrative of intrigue and jealousy, the young athletes‘ forced competition-ready smiles starkly emblematic of their friendships.

This is a conversation with Michel Rosendaal about his work on Onderhuids.

“We were really trying to get close and intimate with our main character Keesje, played by first time actor Isis Braam. To get a real sense of who she is, that vulnerable yet honest look in her eyes. This way we tried to get the viewer in her head without too many words or dialogue.

During prep Emma and I invested a lot of time to go to all the swimming rehealsels, apart from all the general rehearsals with the girls, to create a circle of trust between us as well. Hoping this would translate to the screen in the end. This is really important for me, because it makes me understand the characters better and drives creative decisions later on. This translates into a unique look and feel for that specific movie and character.

That is how we came up with the dynamic camera movements, working from the perspective of Keesje. Physically close to her with wide angle lenses. 

Onderhuids Close

We shot on Alexa XT with Kowa spherical lenses and a Cooke Classic 25-250 for some zoom shots. For the underwater scenes we used an Alexa Mini with Zeiss SuperSpeeds. I’m a huge fan of the soft, organic character of the Kowa lenses and their gorgeous flares.

During the film Keesje becomes more and more isolated because of the choices she makes. She wants to be the best in her team, but is also trying to be liked by Lize. With her actions she is putting her other friendships at risk, leading to her being rejected by the group. I think you can interpret the final scene of the film as a step to independence, maybe Keesje now realizes who she really wants to be.

I’ve tried to visualize this “suffocating” arc of the film by increasingly locking Keesje in the frame as the story develops. By zooming in at certain points and giving frames a lot of negative space. This leads to the final scene being told in one long shot.

Onderhuids 3

One of our big inspirations was photographer Ryan McGinley. His work focuses on free souls and rashness. We found that energy to be very fitting to this coming-of-age story.

ARTICLE CONTINUES BELOW - AFTER SEVEN PICTURES FROM RYAN MCGINLEY 

INSPIRATION-MCGINLEY-1

INSPIRATION-MCGINLEY-2

INSPIRATION-MCGINLEY-3

INSPIRATION-MCGINLEY-4

INSPIRATION-MCGINLEY-5

INSPIRATION-MCGINLEY-6

INSPIRATION-MCGINLEY-7

What I love about the movie is how the subject matter, bullying in a group of girls, connects to the hobby of the girls. The toxic behavior is almost invisible at the surface, but it can really hurt someone. 

With synchronized swimming there is a similar contrast, it’s gorgeous above the surface but quite brutal underwater.

There is one shot where these two things really come together. Keesje jumps into the pool and swims towards the group. We see how hard the group has to work underwater to create the dance. When Keesje is out of sync with the rest of the group the performance falls apart, bringing the underlying bullying to the surface as well.

Bas Andries, the underwater operator, took care of the logistics and technical aspects of that scene. That worked out really well because this allowed me to keep communicating with Emma (director) and gaffer Amit Kumar.

Onderhuids 4

Shooting underwater costs a lot of time. Changing a lens takes about 30 minutes, setting up a shot is also slower. On top of that it’s also physically challenging for the actors. Keeping everyone focused (in a humid pool) is very challenging. Because of that there is less room for improvisation and discovering what a scene offers, you need to have a “waterproof” plan.

The pool that we used had gorgeous warm practicals, we tried to stay as close to this atmosphere as possible with our additional soft tungsten sources. I wanted to stay away from the styril and modern feeling that a lot of pools have these days. It had to be a place where Keesje felt at home.

Onderhuids 5

The final scene of the movie takes place during the performance they have been working towards during the entire film. Here we did embrace a cooler look to create a more urgent feeling. All eyes are on them.

This by times technically challenging project wouldn’t have been possible without the crew.”

1st ac’s: Dorotea Pace, Marjoke Haagsma, Peter Krijgsman

Gaffers: Amit Kumar, David Koster

Underwater Operator: Bas Andries

Grip: Mick Durlacher, Olaf Robberse

Erik Demeris: Colorist

Producers: Eva Schaaf, Patou ten Cate

Director: Emma Branderhorst

Gear: Camera Rentals