Articles


First ROBBY MÜLLER AWARD goes to Diego García

Rotterdam, 2019-10-30 - IFFR / NSC

The Robby Müller Award honours an ‘image maker’ who, in the spirit of the late Robby Müller, has created an authentic, credible and emotionally striking visual language throughout their oeuvre. The first award goes to Diego García and will be presented at the 49th International Film Festival Rotterdam.


The Circle of Film

Amsterdam, 2019-10-02 - Jean van de Velde

"Wil de Nederlandse filmcultuur overleven, dan zal de filmketen een filmketting moeten worden! Dan moet het einde van die keten (de filmexploitatie) aan het begin (de filmproductie) geklonken worden. Dan moeten de baten aan het einde de 'boost' voor een nieuw begin zijn."


Regisseurs naar de achterbank

Amsterdam, 2019-08-24 - Jos van der Burg & Karin Wolfs

“Doreen krijgt heel veel power.” Aldus waarnemend Filmfonds-directeur Ger Bouma tien jaar geleden over de benoeming van Doreen Boonekamp tot directeur. Anders dan haar voorgangers kreeg Boonekamp bij haar aantreden twee petten: ze werd zowel directeur als bestuurder van het Filmfonds.


New Deal NSC

Amsterdam, 2019-04-17 - NSC

Uit een NSC-enquête die in mei 2018 onder de leden is gehouden, was de belangrijkste conclusie dat het de DP’s frustreert dat ze hun werk niet optimaal kunnen uitvoeren. Daarom dit manifest met suggesties om het werkproces te veranderen.


Living the Light, at 75th Venice International Film Festival

Amsterdam, 2018-11-18 - Vincent Visser

Living the Light – Robby Müller, made by Claire Pijman NSC, will have its world premiere at the 75th Venice International Film Festival and is selected for the Venice Classics competition


Time Layers Come Together

Amsterdam, 2018-11-17 - Vincent Visser

'Paolo Ventura, Vanishing Man,’ shows how an Italian artist creates his own timeless melancholic world in a barn on an abandoned mountaintop in Italy. With paint, cardboard, and relics of a human life, he resonates his childhood’s memories and isolation by giving himself and found objects a new magical life.   


Frank van den Eeden about Waldstille

Amsterdam, - Vincent Visser

Dutch cinematographer Frank van den Eeden (May 14, 1971), resident of Antwerp is best known for his work with directors such as Fien Troch, Nanouk Leopold and Jan Verheyen. Besides many nominations he has won several awards for his work as cinematographer.  One of his later productions is ‘Waldstille’ from writer and director Martijn Maria Smits, a feature film that got its world-premiere during the San Sebastian Film Festival in 2016. The NSC talked with Frank about this film.


NSC Investigates Film Making Process in The Netherlands

Amsterdam, 2019-05-01 - NSC

The Netherlands Society of Cinematographers (NSC) conducted a survey among its members as a response to the Netherlands Film Production Incentive 2014-2017 evaluation.


The Cinematographer as Co-Author

Amsterdam, 2019-05-09 - Hans Beerekamp

While cleaning up his archive, film journalist Hans Beerekamp found several editions of the (small-scale published) Dutch film magazine Cineécri.


Emotional Shapes and Textures - Daniël Bouquet

Amsterdam, 2018-07-15 - Vincent Visser

Immediately after his graduation from the Dutch Film Academy in 2006, Daniël Bouquet made a flying start as Director of Photography. For his second feature length production “Nothing Personal” (2008) he won the Golden Calf award for best Cinematography during the Netherlands Film Festival in 2009. Nowadays he works mainly on a variety of international projects, amongst commercials for major brands like Adidas, Gillette and Vogue. The NSC talked with him about his career, interests and more.  


Beerified Scope

Amsterdam, 2018-11-16 - Vincent Visser

Joris Kerbosch (Culemborg, 1980) is best known for his work as cinematographer for directing duo Steffen Haars and Flip van der Kuil, for whom he shot the movies ‘New Kids Turbo’ (2010), ‘New Kids Nitro’ (2011) and ‘BROs BEFORE HOs’ (2013). ‘Ron Goossens, Low-Budget Stuntman,’ is their fourth feature film collaboration. Together those comedies where amongst the highest grossing films in The Netherlands and acclaimed international recognition. NSC spoke with cinematographer Joris Kerbosch about the film.

First ROBBY MÜLLER AWARD goes to Diego García


Rotterdam, 2019-10-30 - IFFR / NSC

International Film Festival Rotterdam (IFFR), the Netherlands Society of Cinematographers (NSC) and Andrea Müller-Schirmer, the late cinematographer Robby Müller’s wife, have launched the Robby Müller Award. The award honours an ‘image maker’ (cinematographer, filmmaker or visual artist) who, in the spirit of Robby Müller, has created an authentic, credible and emotionally striking visual language throughout her/his oeuvre. The first award goes to Diego García and will be presented at IFFR 2020.

 

Festival director Bero Beyer: “In a world dominated by homogeneous big-budget entertainment, IFFR stands behind the truly original voices in cinema. The new Robby Müller Award testifies to our ambition of promoting filmmakers who challenge conventions and bring something new to the table.”

The Robby Müller Award is an initiative of NSC. Richard van Oosterhout, chairman of the NSC board: “Müller pioneered new ways of storytelling and visualisation. His style was modest, spot on, simple and lucid. The new award aims to foster and encourage this type of attitude among today’s filmmakers.”

A jury of six film experts annually chooses a winner who receives the Robby Müller Award: a print of one of Müller’s exquisite polaroid photos. These polaroids will be showcased during the festival. IFFR will also screen Alex Cox’s Repo Man as a prime example of Robby Müller’s legacy.

Mexican cinematographer and writer Diego García

Diego García

The first-ever recipient of the award, Mexican cinematographer Diego García, has had a remarkable and distinctive career so far, working with filmmakers like Apichatpong Weerasethakul (Cemetery of Splendour), Gabriel Mascaro (Neon Bull) and Carlos Reygadas (Nuestro tiempo).

On behalf of the jury, Andrea Müller-Schirmer had the following to say about García: “The beautiful long takes of Diego García’s camera make for moving encounters with the characters and settings. Like Robby’s, García’s visual language is credible, convincing and not constructed. It is supportive to the story but also carries its own signature. Both tell stories using the poetry of light.”

Diego García: “I have profound respect and admiration for Robby Müller’s work and the spirit with which he approaches art and creativity. In fact, he was one of my main influences to discover my path in cinema”.

> stills from Cemetery of Splendour

The awards ceremony will take place on Monday 27 January, during IFFR 2020. Accompanying the ceremony, García will give a masterclass. More information on the ceremony and Diego García’s masterclass will follow soon.